The nave is dominated by large round arches. Currently the church is being used for storage, under the watch of a full-time caretaker who lives inside the church (2023).
The south transept rose window depicts the Passion of Christ. Unfortunately the center piece is missing which depicted suffering Christ crowned with thorns. The eight large petals symbolize the Resurrection, for it was on the eighth day after his entry into Jerusalem that Christ rose from the grave.
Portrayed at the top of each petal (two of which are missing) is one of the instruments of Christ's Passion: (1)the column to which he was tied and scourged; (2)the crown of thorns; (3)the cross and reed, mock symbols of power; (4) the whip; (5) a ladder leaning against a cross; (6) hammer and nails; (7) the initials IHS; (8) and the initials IHS alone.
Taken as a whole, the interior reflects very clearly the Beaux-Arts tendencies of the time. The expansive space has much more to do with the typical Beaux-Arts railroad station concourse than it does with spacial complexity of the Baroque churches which the facade emulates.
On the facade, the main door is a round-arched opening within columns and pediment. Above the door is a large arched window, and flanking the door and window two stories of engaged columns backed by pilasters on the wall form units of almost "buttress" character.
In 1990 the church was sold to Samuel Koontz, an organist who planned on converting the buildings into a recital hall and facility for rehabbing pipe organs. Unfortunately he passed away two years later.